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Finally, here is the definitive glossary of the book, offering readers all the terms they will need for thorough understanding of how books are made, the materials they are made of, and how they are described in the bookselling, book collecting, and library worlds. Every key term --- over 1,300 different words --- that could be used in booksellers' catalogs, library records, and collectors' descriptions of their holdings is represented in this dictionary. This authoritative source covers all areas of book knowledge: the book as physical object, typeface terminology, paper, printing, book collecting, book design, bibliography, calligraphy, t he language of manuscripts, writing implements, librarianship, legal issues, the parts of a book, and much more. The definitions are supplemented by more than 100 illustrations showing the book as a physical object: parts of books, kinds of illustrations, kinds of printing techniques, tools that librarians, booksellers, and collectors refer to that are used in the making of books, kinds of binding structures and decoration, kinds of paper decoration, and other things.
Bibliography --- Book industries and trade --- Book collecting --- Library science --- Documentation and information --- Bibliography--Dictionaries. --- E-books --- 09 <031> --- Handschriften. Oude en merkwaardige drukken. Curiosa--Encyclopedieën. Lexica --- Bibliography - Dictionaries --- Book industries and trade - Dictionaries --- Book collecting - Dictionaries --- Library science - Dictionaries --- Bibliophily --- Books --- Book selection --- Collectors and collecting --- Antiquarian booksellers --- Bibliomania
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La bibliothèque municipale de Reims organise, en partenariat avec l'Université de Reims Champagne-Ardenne, l'exposition Le goût des livres, Victor Diancourt, collectionneur champenois, du 9 septembre au 10 décembre 2016. Cette exposition est présentée à la bibliothèque Carnegie, pôle de conservation et de valorisation au sein de la bibliothèque municipale de Reims. Cette exposition s'inscrit dans un projet de recherche soutenu par la Région Champagne- Ardenne (ALiPat, acteurs du livre et patrimoine textuel). La Ville de Troyes accueillera prochainement dans le même cadre une exposition consacrée à Charles des Guerrois, autre grand collectionneur champenois. L'exposition de Reims a pour ambition la mise en lumière d'un fonds très riche. En effet, de tous les dons antérieurs à la Première Guerre mondiale, le plus précieux est celui de Victor Diancourt, sénateur et maire de Reims, grand bibliophile et collectionneur, qui légua en 1910 près de 20 000 volumes. Une grande partie a malheureusement été détruite le 3 mai 1917 lors de l'incendie de l'Hôtel de Ville qui abritait la bibliothèque depuis sa création au début du XIXe siècle.
Book collectors --- Book collecting --- History --- Bibliophily --- Books --- Book owners --- Collectors and collecting --- 017.2 <44> DIANCOURT, VICTOR --- 017.2 <44> DIANCOURT, VICTOR Catalogi van persoonsbibliotheken--Frankrijk--DIANCOURT, VICTOR --- Catalogi van persoonsbibliotheken--Frankrijk--DIANCOURT, VICTOR --- Book selection --- Antiquarian booksellers --- Bibliomania --- Private libraries --- Exhibitions --- Bibliophilie --- Illustration des livres --- Livres --- Catalogues d'exposition. --- Ornementation --- Diancourt, Louis Victor --- Diancourt, Victor
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In Poetic Modernism in the Culture of Mass Print, Bartholomew Brinkman argues that an emerging mass print culture conditioned the production, reception, and institutionalization of poetic modernism from the latter part of the nineteenth century through the middle of the twentieth century--with lasting implications for the poetry and media landscape. Drawing upon extensive archival research in the United States and Britain, Brinkman demonstrates that a variety of print collecting practices--including the anthology, the periodical, the collage poem, volumes of selected and collected poems, and the modern poetry archive--helped structure key formal and institutional sites of poetic modernism. Brinkman focuses on the generative role of book collecting practices and the negotiation of print ephemera in scrapbooks. He also traces the evolution of the modern poetry archive as a particular case of the mid-twentieth-century rise of literary archives and identifies parallels between the beginning of mass print culture at the end of the nineteenth century and the growth of digital culture today. Advocating for a transatlantic modernism that stretches roughly from 1880 to 1960--one that incorporates both popular and canonical poets--Brinkman successfully extends the geographical, historical, and vertical dimensions of modernist studies. Poetic Modernism in the Culture of Mass Print will appeal not only to scholars and students of literary modernism, modern periodical studies, book history, print culture, media studies, history, art history, and museum studies but also to librarians, archivists, museum curators, and information science professionals.
Poetics --- English poetry --- American poetry --- Publishers and publishing --- Modernism (Literature) --- Mass media and literature --- Book collecting --- History and criticism --- ANTIQUES & COLLECTIBLES / Books. --- American poetry. --- Book collecting. --- English poetry. --- LITERARY CRITICISM / Semiotics & Theory. --- Mass media and literature. --- Modernism (Literature). --- Poetics. --- Publishers and publishing. --- 1900-1999. --- Great Britain. --- United States. --- History and criticism. --- Bibliophily --- Books --- Book publishing --- Poetry --- Literature and mass media --- Collectors and collecting --- Publishing --- Technique --- Book selection --- Antiquarian booksellers --- Bibliomania --- Book industries and trade --- Booksellers and bookselling --- Literature --- ANTIQUES & COLLECTIBLES / Books --- LITERARY CRITICISM / Semiotics & Theory --- E-books
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